Pesta Rakyat pada Peringatan Hari Ulang Tahun Kemerdekaan Republik Indonesia Ekspresi Kultural dalam Format Seremonial Kenegaraan

Authors

  • Wahyudiyanto Wahyudiyanto STK Wilwatikta Surabaya

DOI:

https://doi.org/10.20111/gayatri.v4i1.81

Keywords:

gayatri, pengabdian, seni tari, seremonial

Abstract

Ceremonial always accompanies various important events for institutions, and even a nation. They are held several times to mark the institution's existence due to significant historical events. The Indonesian struggle for independence is a historical event, and commemorating Independence Day is a way to remember this patriotic moment. Governments at the central, regional, and local levels, down to the village, hamlet, and neighborhood unit (RT/RW) levels, celebrate it with great enthusiasm.

Ceremonial is a state celebration packaged in the form of a ceremony, so it must be formal, sacred, and solemn because it uses symbols and important state guests, as well as relaxed and entertaining, therefore entertainment is presented in the form of art. Klampis Anom Village, Sukolilo, Surabaya, held a state ceremonial celebration to commemorate the 80th anniversary of Indonesian Independence Day on August 17, 2025. The entertainment from the STKW Surabaya Dance Arts Study Program in the form of community service appeared compact, pithy, and enchanting as seen from the enthusiasm of the audience who did not move from their seats until the performance was over.

References

Agus Afandi, Nabiela Laily, M. N. W. (2022). Metodologi pengabdian masyarakat. Abd. Basir. Yogyakarta: Direktorat Pendidikan Tinggi Keagamaan Islam Direktorat Jenderal Pendidikan Islam Kementerian Agama RI. https://kkn.stainkepri.ac.id/storage/files/downloads/9nUGmKZSYyk40ltORZ5Ld6TekdnbkjwopnpsMheo.pdf

Hadi, Sumandiyo, Y. (2017). Koreografi Ruang Prosenium. Cipta Media &BP.ISI Yogyakarta.

Liputan 6 (FTV SCTV). (n.d.).

Noraini, N. (2021). Studi Tentang Prestasi Anak Rawa yang Mengandalkan Bakat dan Minat Terhadap Keterbatasan Sarana Prasarana di SMAN 1 Danau Panggang. Edunesia: Jurnal Ilmiah Pendidikan, 2(1), 85–9.

Peningkatan, U., & Belajar, P. (2016). Unnes Physics Education Journal. 5(3), 1–6.

Poerwadarminta, W. J. S. (2003). Kamus Umum Bahasa Indonesia. Balai Pustaka.

Romli, A. S. M. (n.d.). Perbedaan Pembawa Acara, MC, protokol dan protokoler. http://www.romeltea.com.

S Kemmis, R. M. (n.d.). Communicative Action and the Public Sphere. Sage Publications., 575–592.

Sugiyono. (2009). Metode Penelitian Kuantitatif, Kualitatif dan R&D. Alfabeta.

Supanggah, R. (2007). Bothekan Karawitan II. ISI Press.

Wahyudiyanto. (2020). Tari Ngrema, Sejarah, Teknik, Kinestetik, dan Bentuk Estetik. CV. Revka Prima Media.

Wahyudiyanto. (2006). Karakteristik Ragam Gerak Dan Tata Rias-Busana Tari Ngremo Sebagai Wujud Presentasi Simbolis Sosio Kultural. Imaji, Vol.4, No.2, Agustus 2006 : 124 - 144, Vol.4, 124–144.

Downloads

Published

2026-04-23

How to Cite

Wahyudiyanto, W. (2026). Pesta Rakyat pada Peringatan Hari Ulang Tahun Kemerdekaan Republik Indonesia Ekspresi Kultural dalam Format Seremonial Kenegaraan . Gayatri : Jurnal Pengabdian Seni Dan Budaya, 4(1), 28–37. https://doi.org/10.20111/gayatri.v4i1.81

Issue

Section

Articles

Similar Articles

1 2 > >> 

You may also start an advanced similarity search for this article.